“Migrants at the Mexican border were being portrayed as a ‘faceless brown mass.’”
“Migrants at the Mexican border were being portrayed as a ‘faceless brown mass.’”
The other kids spoke like they ostensibly belonged — belonged with each other, belonged at school, belonged in Canada. Their English flowed and lilted, like music to my ears; my English sounded broguish and inelegant and choppy • Art ℅ “Oh Eun Bi” by Shon Ji Min
In the height of racist exclamations of “Go back to your country,” Grace Kwan shines a piercing light on a parallel occurrence across the northern border • Photo ℅ Hako Yamasaki
Camp Counselor Grace Kwan on how with its emphasis on feminism, sexuality, and modernity, Sex and the City 2 presents especially fertile ground for us to consider and examine manifestations of white supremacy and homonormativity in popular culture.
Sure, fanfiction roots itself in subculture, but I cannot think of any justifiable explanation for such deep-seated stigmatization besides misogyny . . .
These books offer thought-provoking expository material on systems of power, ranging from structural racism to colonialism to Orientalism, which produce and uphold white supremacy